Beyond my very personal connection to this body of work, I have always been drawn to contrasting juxtapositions. And I’m mostly interested in a growing realisation that oppositions and contradictions are not always necessarily mutually exclusive as logic would dictate - for instance an ugly incident can also have some beauty to it. Reflecting on having been locked-in, I was fascinated by the idea that I had felt very much in motion qua brain while totally paralysed physically. I set out to highlight those two opposite States of Being happening concurrently by representing visually the different stages of my incident combining multiple exposures digitally. I believe digital impressions would have been too sharp and crisp for the subject matter and I therefore chose to hand print the series as Van Dyke Browns on cotton rag. This antique alternative process gives the final prints a certain softness, fitting with my experience, which adds to the slightly surreal feel of the work. This in turn also acts as an allegory for the complex and obscure link between our body and our mind - a connection we rarely truly deeply contemplate, except maybe on the days when it stops working properly.
- Anne-Laure Autin
Anne-Laure Autin is an emerging fine-art photographer and mixed-media artist. Preoccupied with the philosophical concepts of universality and relativism as a teenager, she studied theoretical mathematics and holds an MSc from the University of Leiden (NL). She is always inspired by contrasting juxtapositions and embraces the duality of her fascination for truth and her love of human nature, where no logic seems to prevail. In her staged work, she seeks out the deepest most candid and raw emotions from her subjects. Her sets are disarmingly simple so that human connection prevails. In reconciling authenticity and beauty, she makes conceptual work that is both soulful and highly intimate.
Autin’s work has been exhibited internationally, in the USA at the Center for Fine Arts Photography in Colorado, Soho Photo gallery, and soon at Corden-Potts gallery as well as in Canada, in the UK and at the Berlin Foto Biennale. Her images have been featured in Musée Magazine, LensCulture, L’ Oeil de la Photographie and Don’t Take Pictures. She was a Critical Mass finalist in 2016 as well as a BPF OPEN16 Solo finalist.
Anne-Laure was born and raised in France and moved to the Netherlands when she was 13. She recently returned from a six years relocation in Western Canada with her British family and is based in the Netherlands again.