The beauty of the concentration of life elements is also integrated with some abstract feeling. I have always had a love between the real and surreal, which produces a sense of freedom. The attempt here is to build the stage as a means of performance, with the camera fixed at the same point of view each time. The camera records each scene, composed of actors and artificial backgrounds in a performance of daily life, forming a cinematic series. The audience is immersed in the scene while at the same time they also seem to be a bystander, slowly seeking their own answers.
- Fang Tong
Fang Tong is a cinematic style photographer, as a spectator of life. Her works are embedded with an implied narrative, which is left to the viewer to resolve over time with their own imagination. Reflecting her background in classical art, the photography is carefully planned to control the frame and the expression of details, giving her work the ethos of a painter. As a bystander, Fang Tong captures the potential that photography can embody pieces with an eternal quality, thereby creating a slightly fictional world that resembles reality but transcends consciousness.
Fang Tong’s passion is for her work to border on the surreal, yet hold back enough to keep it firmly in the real world. Her photos provoke audiences to create a narrative out of cinematic pictures. There may be no clearly defined story behind the scene, but there is a strong mood and atmosphere throughout the whole image. The imaginary world is strangely familiar while the narrative arc takes audiences on a hyper-visual ride through people's subconsciousness. She nurtures the balance between the real and the surreal that pulls her audiences into the world she created, but she also allows the audience to discover their own answers.