When I select and emphasize the individual tree, my intention is to open a gate and allow the viewer to listen and explore; and perhaps relate to the central figure in ways not before understood or realized. Similar to us in its branching, arterial-like symmetry, is there another way to appreciate a tree? John Ernest Phythian reminds us that “It is not by pretending the trees to be human that we can become and continue keenly interested in them but by seeing and feeling both their likeness to us and their difference from us.” Why are we so similar and why are we drawn so to the tree? In the making of these images, I am attracted to the tree by its form, size and setting. It is the potential for that next interesting and mysterious print that drives my ambition to collect more images. Another tree for the collection. Another window into creation.
I grew up on my grandfather's farm in northern Ohio where I helped in the fields and with the livestock. My other grandfather took me into the woods to hunt and onto the lake to fish. Solitary hours in the fields, woods, and on the lake provided ample opportunity to ponder the beauty and power of nature. The ordered beauty of crop rows and the concentric ripples on water's surface made an impression on me. Coupled with a religious upbringing, my faith embraces the notion of a universe created and sustained by a supreme being. A degree in physics fuels my inquisitive nature and reinforces my astonishment at the intricacies of life and the physical processes that drive our universe.
- Kent Krugh
Kent Krugh has received numerous awards in national and international print and portfolio competitions. His work has been exhibited in national and international group and solo venues. With this series he won a Portfolio Selections Award in the 2014 San Francisco International Photography Competition.