Peter creates different, unique styles for his photographs, depending on the nature of objects and spaces, and he also chooses the formats for his images carefully. For this series he chose the square as the only format for all images. The square format has a long tradition in art, and in photographic art as well. The analogue 6×6 format was used by many famous photographers: Diane Arbus, Lee Friedlander, Vivian Mayer – just to name a few. As we generally see the world in a landscape format, a square-crop supports a surreal visual language. Peter does not use the square to produce a centered composition, but to support the unreal atmosphere of the images. With the right-angled windows, corner-lines and additional geometric elements in his square images, Peter produced strong frame-in-frame compositions, which seem perfectly balanced.
Another aspect of Ecken is the special color and light ambience: Peter took these photographs on cold winter mornings with overcast skies. The absence of shadows and the smooth colors add an element of quietness and sobriety. The series has received the following awards: WINNER – INTERNATIONAL ARCHITECTURE PHOTOGRAPHER OF THE YEAR – 11TH POLLUX AWARDS | SHORTLISTED RPS ROYAL PHOTOGRAPHIC SOCIETY 161 | NOMINEE FELIX SCHOELLER PHOTO AWARD | HONORABLE MENTION IPA INTERNATIONAL PHOTOGRAPHY AWARDS
- Peter Braunholz
Peter is an internationally awarded photographic artist based in Frankfurt/Main, Germany. His main focus is on revealing layers of reality which are hardly perceptible to the naked eye and which may appear as being unreal, manipulated or staged. He creates different, unique styles for his photographs, depending on the nature of objects and spaces. Thus, his work displays an uncommon diversity. Kehrer Verlag released a book about Peter's work in 2017 titled Photographic Realities. In 2018, Peter has been honoured as International Architecture Photographer of the Year (Pollux Awards).